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Retrato pictórico
Retrato pictórico
Género pictórico
Als Sohn Josephs Alexanders II erbte Joseph Alexander III Lasten und Ehren. Nur dank der Mitgift seiner Frau Sophie konnte er die Schulden mit dem Kloster Lichtenthal begleichen. Er wurde das erste Mitglied der Familie Krebs, das nur den Bankbereich leite…
Krummstab, Ring, Buch und Kreuz um den Hals: Maria Benedicta II hat alle notwendigen Attribute als letzte Äbtissin von Wonnental. Nach der Säkularisierung von 1806 entschloss sie sich, ihr Ordensgelübde aufzulösen, anstatt ins Kloster Lichtental zu ziehen…
Sehr aufrecht steht die 49-Jährige da und blickt majestätisch herab. Pracht deutet der badische Hofmaler nur in Form des edlen Pelzes an, sonst ist alles sehr schlicht – nichts lenkt von der Dargestellten ab. Die Landesmutter war an Kunst interessiert und…
Entspannt hat der Arzt Viktor Grossmann auf einem Sessel platzgenommen und den Blick auf uns gerichtet. In Wahrheit gilt der Blick allerdings seiner Frau, der Freibuger Malerin Marie Grossmann, die ihren Mann hier in lässiger Pose mit Zigarette porträtier…
The portrait depicts Marie Freifrau von Krafft-Ebing, wife of the senior civil servant Hans Franz Otto Freiherr von Krafft-Ebing, aged approximately 30. Marie came from Durlach and had married Hans in Heidelberg in 1889. In terms of their respective lines…
Herr Häberle presents himself here as a fashion-conscious man of the world in this portrait by Wendelin Moosbrugger. Along with his floral-patterned waistcoat, his snuff box catches our eye; it has been included as a companion piece to the flower in the p…
Who was the man Dora Arnd-Raschid immortalised in this picture in 1895? Conceived as a half-figure portrait, the artist was able to depict a good deal of his costume. This painting is the only one in the collection made by this female portrait painter.
It is possible to read the title "The Good Child" on the page of the book that the little girl has opened in front of her. Her gaze is as delicate as the fabrics that surround her. Balder conceived this portrait of the child - which corresponds …
In a sensitive and intimate manner, the artist portrayed his first child at the age of three. Wearing a piped smock dress and matching coloured bows in her plaited pigtails, Monika is depicted in half-profile, with flushed cheeks and a green apple in her …
In July and August 1837, Coblitz stayed in a village called Herrischried in the county of Hauenstein in the Hotzenwald. Whilst there, he painted this portrait of a Hauenstein woman with a child, which the artist dated at the bottom of the picture with a n…
A smile with flashing white teeth adorns the young woman in this three-quarter-length portrait. In addition, a kind of bob with suggested water wave, a highly fashionable hairstyle in the 1920s/30s. She is pressing a blue bowl filled with red beef tomato…
Das nach fotografischer Vorlage gemalte Porträt zeigt den Gründer der Firma M. Welte & Söhne, die selbstspielende mechanische Musikinstrumente herstellte. 1832 in Vöhrenbach (Schwarzwald) gegründet, zog das Unternehmen 1872 nach Freiburg. Die Orgel im…
Around the middle of the 19th century, fashion revived styles and trends from the Rococo period. The three-quarter length, wide flared sleeves (pagoda sleeves) were trimmed with so-called engageantes: false undersleeves of white lace peeking out from the …
Karl Krebs was the son of the banker Eugen Krebs, who was the director of the Freiburg banking house J. A. Krebs. The self-portrait refers to its own genesis: the brush in his hand is the tool used to apply the paint to the canvas in dynamic movements. Ka…
Das Gemälde kam durch Frieda Thiry im Jahr 1900 ins Museum. Dargestellt ist ein Patient ihres Bruders, des Freiburger Ohrenarztes Dr. Rudolf Thiry. In Bräunlingen geboren machte sich Baptist Tuttiné besonders als Trachtenmaler einen Namen. Seine Sammlung …
Devoutly, the little girl is reading an illustrated book, while the outline of her head is illuminated by a ray of light. An engraving by the Baden court painter Marie Ellenrieder with the title "Kindliches Gebeth" (A Child’s Prayer) provided th…
This double portrait (cf. 09191) depicts the pride of the Black Forest poeple. The man and woman are dressed in Elztäler costume. The women's yellow top hat made of straw is matched by a classical black top hat for the gentleman. Ganter began his care…
Maria Fridolina stammt aus dem schwäbischen Uradel. Wie eine Notiz auf der Rückseite des Gemäldes darlegt, heiratete sie im August 1806 Friedrich Franz Freiherr von Krafft – den ihr Vater Conrad Anton Ebing von der Burg kurz zuvor adoptiert hatte. Möglich…
The oil study shows a scene from the eighth canto ("Melpomene") of Johann Wolfgang von Goethe's "Hermann and Dorothea". As the two descend the steps in the dark, Dorothea twists her foot and Hermann reaches out his arm to support h…