2296 tulemust jaotises Organisatsioon Staatsbibliothek Bamberg

Conservation status: Almost cut to the representation; Inscription: AD (bottom on the monogrammtäfelchen); Inscription: Hints of different hands on the back (Latin inscription, numbering regarding)

Conservation status: Curved up to the depiction, wielded

Inschrift: IMAGO MARTINE LVTHERI EO HABITV EXPRES= || SA, QVO REVERSVS EST EX PATHMO VVITTEN= || bergam, Anno Domini. 1 5 2 2. (Oberhalb der Darstellung); Inschrift: Quæsitus toties, toties tibi Rhoma petitus, || En ego per Christum viuo Lutherus adhuc. |…

Dürer made the engraving “Saint Christopher with his back head” in 1521. The spike, already standing up to the calves in the water, occupies the picture almost completely and gives only a little view of the undulating landscape of the background. Based on…

Conservation status: Slightly patchy; Inscription: Gen.3.b. (Below left of the illustration); Inscription: Jm garten Edom Eua Adam | | The forbidden fruit of the su Innd annam | | Meynten who are slang gleych funny | | | Des fahl’s human gbad můst entpere…

Conservation status: creased, slightly patchy; Inscription: Opitius. (top on the right); Brand: STAATS- | | BIBLIOTHEK | BAMBERG | | KUNST- | | SAMMLUNG (Bottom, in the middle, on the front of the Passepartouch)

Inscription: GEORGIVS RHAVVS TYPOGRAPHVS WITTEMB • ANNO AETATIS SUAE • LIIII • (Inside the Rounding)

Conservation status: Almost cut to the representation; Inscription: VS [ligated] (bottom on the monogrammtäfelchen); Inscription: German letter text on the back

Conservation status: Circumcised, stained, creased; Inscription: Below the representation of Latin text in two columns; Brand: STAATS- | | BIBLIOTHEK | BAMBERG | | KUNST- | | SAMMLUNG (Bottom, in the middle, on the front of the Passepartouch)

Conservation status: Almost cut to the representation; Inscription: AD (top on the monogrammtäfelchen)

Inscription: N: Strixner fecit. (Bottom, on the left)

Conservation status: Curved to the depiction, unevenly printed, stained

Around 1500 Dürer made the engraving “Der Sch1500 ensmann mit 1500 1500” (The Man of Sorrows with his arms spread). Christ as a redeemer figure stands in front of the Kreuzesstamm and fills out the picture almost completely. The crown of thorns on the hea…

Conservation status: Curved to the depiction, patchy, several laminated cracks

Inschrift: Auslegung der || Episteln vnd Euangelien || vom Aduent an bis || auff Ostern. || Anderweit corrigirt durch || Martinum Luther. || Daruber ein newes || Register. || Gedruckt zu Wittemberg || M. D. XXX. (In der Aussparung); Inschrift: Einfassungs…

The facsimile of the manuscripts of Dürer, Pirckheimer and Cochlaeus was created for Christoph Gottlieb Murr’s “Journal of Art History and General Litteratur” (cf. Murr 1789, according to p. 286). Even decades later, the arrangement of the written legacie…

Conservation status: Almost cut to the edge of the plate; Inscription: AD (bottom on the left)

Conservation status: Curved to the depiction, patchy, patchy; Brand: STAATS- | | BIBLIOTHEK | BAMBERG | | KUNST- | | SAMMLUNG (Bottom, in the middle, on the front of the Passepartouch)

In 1509 Dürer designed the woodcut “Christ is nailed to the cross” as part of his “Kleinen Passion,” which was first laid in 1511. He shows the Christ fainted with torment and pain lying with his back on the trunk of the cross. While a scissor drills a ho…

Conservation status: circumcised, surface mounted; Inscription: Deifel sc. (Below the right of the representation); Brand: STAATS- | | BIBLIOTHEK | BAMBERG | | KUNST- | | SAMMLUNG (Bottom, in the middle, on the front of the Passepartouch)

Inscription: 1515 | | RHINOCERVS | | AD (top on the right); Inscription: Vienna [18] 21 (on the back, bottom on the left)

The cross-format woodcut, “Die Der heightens von Österreich,” designed from 1515, was widely used in various versions: while Bartsch only knew the second condition with eight saints and the characterizing signatures, Heller already mentions in 1827 the “f…

Conservation status: Curved, stained; Inscription: AD (bottom on the monogrammtäfelchen); Inscription: Vienna [18] 21 (on the back, bottom on the left)

Conservation status: Curved to the edge of the plate, buried in places, stained; Inscription: AD (bottom on the left)