51 torthaí laistigh de Duine Pablo Picasso

KU Leuven. Glass slides art history. Université de Louvain, between 1839 and 1939. Photographer unknown. Added information on slide. Style: Classicism, surrealism. Creation/Building: 1919. Technique/Material: Drawing. EuroPhot. Art History. 20th century. …

Rubrica poeți contemporani.; Versuri ale poetului și pictorului spaniol Pablo Picasso.; Poeți contemporani

KU Leuven. Glass slides art history. Université de Louvain, between 1839 and 1939. Photographer unknown. Added information on slide. Movement/Style: Cubism. Creation/Building: 1909. Technique/Material: Oil on panel. Current location: United States, Chicag…

KU Leuven. Glass slides art history. Université de Louvain, between 1839 and 1939. Photographer unknown. Added information on slide. Movement/Style: Cubism. Creation/Building: 1918. Technique/Material: Oil on panel. Current location: United States, Cambri…

In the final twenty years of his life, Picasso painted many odalisques – female figures resembling the denizens of a harem. The model for these late works was Jacqueline Roque, the woman who would become his second wife in 1961. The artist’s perception of…

With his move to Paris in 1904, Picasso's palette gradually lightened. Figures from the world of the traveling theater and the circus, full of the joy of life, replaced the melancholy themes of the Blue Period (1900–1904). This work belongs to the new…

Seven G S0160, 11/06/1969

Settimanale Ciac SC486, 04/1958

Glass, Bottle of Bass, Newspaper combines collage-like elements within a lightly drawn surface. Goblets, bottles, and newspapers were standard components of Picasso’s Cubist vocabulary. The artist conveys the transparency of glass by depicting it both in …

Litografia reprezintă un porumbel albastru, în zbor, cu aripile întinse, care poartă în cioc o ramură de măslin verde. Lucrarea este cunoscută sub denumirea de Porumbelul albastru, este datată 28.12.61 și semnată cu albastru în dreapta jos Picasso. Pablo …

In 1912, Picasso began making three-dimensional paper and cardboard constructions that corresponded to his Synthetic Cubist style. Decades later, in 1957, the Norwegian artist Carl Nesjar introduced him to the concept of “concrete engravings,” and Picasso…