3,309
riżultati fi ħdan
Suġġett
Weave
Weave
Manner in which threads in a textile are interwoven
We all know the depot of MoMu houses many fashionable gems - and we were fortunate enough to discover with Frieda Sorber, curator and expert on the history of lace. Through a selection of highlights from the museum’s collection, Frieda takes us through a …
Oblong over head scarf made of thin, black lurex (i.e., with metallic threads woven in); worn indoors and out by women.
Square headdress of red artificial fibre or synthetic textile, with gold-coloured decoration along the edges; worn by women on festive occasions, together with headdress (16b).
The skirt consists of four fabric strips sewn together along the selvedge.
How can machines help creating a future for craft? Luigi Ricceri talks about how tradition drives innovation in his textile factory in Prato, where study and knowledge combine with the poetics & possibilities of nature. Get fascinated by techniques an…
Apron for over the skirt as part of the Tarasque women's daily wear at Tzinrondaro. The bird and flower motifs at the bottom are hand embroidered.
Enredo made of dark blue, purple and red cotton, flat woven on a hip loom. The dark blue, purple and red stripes alternate. \The enredo consists of three strips sewn together lengthwise with a red thread.Most enredos are woven in Pinotepa de Don Luis, als…
The underdress belongs to the costume that can be found under inventory numbers 3509-1a and 3509-1b.
A faja is a belt. In the Mixteca the belt has two names, 'faja' and 'ceñidor', these names differ per village; in San Agustín Tlacotepec the belt is called 'faja' (Spanish name) and 'batu' in Mixtec. In Chalcatongo, howeve…
This woolen coat or boernoes (akhnif) with embroidered decorations was made for the tourist market. This can be seen from the embroidered decorations on the hood and along the edges, which are not found on akhnifs for domestic use. The manufacture of akhn…
Cotton skirt with a separate colored part, the kepala ('head'), typical for sarongs.\ The cloth is a worsted and was intended to be sewn into a pencil skirt, but a very long one. It is possible that the cloth was used to make two shorter kains (cl…
Can lace-making become a game to teach the value of heritage? Bruges’ long and illustrious tradition of lace-making becomes the key to show kids how to embed craft in their future - and therefore the future of the worldIn the video, produced by EFHA - …
Can lace be the stuff the future is made of? The 2021 exhibition ‘P.LACE.S - Looking through Antwerp Lace’ expressed MoMu’s take on the topic, suggesting how heritage & craft can indeed be both repositories and sources for the development of new artis…
Hands, minds, souls and stories: crafts have the ability to form bridges through time and strengthen the ties that form communities. Thomai Rodopoulou-Psarologou, Loukia Richards, Metaxia Hanteli, Maria Gonidou and the Tsitalia community: the voices of cr…
Embroidery counts for many techniques handed down from generation to generation, sometimes so specific to different territories to define their identity. The fashion world has been fascinated by the beautiful outputs of this craft, contributing to the tra…
Continuing our crafted journey into the MoMu depot, a new set of precious items cherry-picked and illustrated by the knowledge of curator Frieda Sorber guides us through the evolution of the craft from the 18th Century, its translation from hands to machi…