The Vine
The Vine can be interpreted as a light-hearted allegory of love – the woman harvests the grapes for the wine that intoxicates the man. With his great technical virtuosity, Carl Larsson was excellently equipped to succeed in the Neo-Rococo genre, which relied to a great extent on the ability to paint with illusory brilliance. The Vine was bought by Herman Friedländer when it was shown at the Oppone…
Kreatur
Tip ta' oġġett
- paintings (visual works)
- http://udcdata.info/065280
- Visual Works (hierarchy name)
- Arti viżiva
Kreatur
Tip ta' oġġett
- paintings (visual works)
- http://udcdata.info/065280
- Visual Works (hierarchy name)
- Arti viżiva
Istituzzjoni fornitriċi
Aggregatur
Dikjarazzjoni tad-drittijiet tal-midja f'dan ir-rekord (sakemm mhux speċifikat mod ieħor)
- http://creativecommons.org/publicdomain/mark/1.0/
Drittijiet
- Nationalmuseum, Sweden
Data tal-ħolqien
- 1884
- 1884
Provenjenza
- Bequeathed 1920 by Mr Herman Friedländer
Identifikatur
- NMB 400
- 24342
Limitu
- Mått 60 x 92 cm
Format
- Watercolour. Diptych, in one frame with NMB 399
Sena
- 1884
Pajjiż fornitur
- Sweden
Isem il-kollezzjoni
L-ewwel darba ppubblikata fuq Europeana
- 2017-01-11T14:09:39.109Z
L-aħħar aġġornament mill-istituzzjoni fornitriċi
- 2017-01-11T14:27:12.764Z