10 wyniki w ramach Organizacja Latvijas Nacionālais mākslas muzejs

In the last years of his life, Janis Rozentāls repeatedly returned to the composition with the figures of a princess and monkey. The first of the painting was exhibited in 1913 at the 3rd Baltic Artists Union exhibition and at the international art show i…

The painting was created at a time when European art saw the intersection of New Realism, Art Déco, Ingrism and the New Objectivity. As a whole, these stylistic movements marked a return to visual reality and a more realistic form of depiction that follow…

In 1870, after successfully taking part in the Paris Salon, Kārlis Huns went to Normandy and then to Belgium where, it is thought, he painted the “Young Gypsy Woman”. This type of work by the artist – single figure genre compositions – was highly regarded…

The whole of Riga society used to talk about the singular visual image of artist Kārlis Padegs. This would have long been forgotten were it not for his unique talent. The power of the grotesque seen in the modernist Padegs’ expressive drawings, watercolou…

Encouraged by the Berlin gallery owner and futurist writer Ruggero Vasari, Niklāvs Strunke travelled to Italy. Its atmosphere imbued his style with the clear order of the Latin cultural tradition. Simultaneously depicted in this original composition is th…

In this panoramic landscape characteristic of 19th century painting, two seemingly contradictory principles of been combined – the informative and the emotional. In this expansive story about the winding Gauja river and the most characteristic species of …

The impressive winter landscape once adorned the apartments of Emīlija Benjamiņa, the millionaire owner of the most popular newspaper “Jaunākās Ziņas”. However, during Soviet times the Benjamiņš house was the home of the Writers’ Union and in 1954 the org…

Turning to the themes of childhood and early adolescence as reflections of the spring of life and interest in the biological growing processes in both man and nature was a characteristic tendency in art at the end of the 19th and beginning of the 20th cen…

In his largest composition “Refugees”, modernist Jēkabs Kazaks who, “like the old masters, wanted to work hard like a craftsman”, expresses the nations tragedy with true severity. He reveals it as the harsh story of a peasant family driven from their home…

Jānis Tīdemanis trained at the Antwerp Royal Academy of Art from 1922 till 1927 and continued his studies until 1934 under Isidore Opsomer at the National Institute of Fine Arts in Antwerp. In Belgium Tīdemanis was influenced by Flemish Expressionism and …